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The Resource Wagner & cinema, edited by Jeongwon Joe and Sander L. Gilman ; foreword by Tony Palmer ; interview with Bill Viola

Wagner & cinema, edited by Jeongwon Joe and Sander L. Gilman ; foreword by Tony Palmer ; interview with Bill Viola

Label
Wagner & cinema
Title
Wagner & cinema
Statement of responsibility
edited by Jeongwon Joe and Sander L. Gilman ; foreword by Tony Palmer ; interview with Bill Viola
Title variation
Wagner and cinema
Contributor
Subject
Genre
Language
eng
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • filmographies
http://library.link/vocab/relatedWorkOrContributorName
  • Joe, Jeongwon
  • Gilman, Sander L
http://library.link/vocab/subjectName
  • Wagner, Richard
  • Motion picture music
  • Motion pictures and opera
  • Operas
Label
Wagner & cinema, edited by Jeongwon Joe and Sander L. Gilman ; foreword by Tony Palmer ; interview with Bill Viola
Instantiates
Publication
Bibliography note
Includes bibliographical references, filmography (p. 441-455), and index
Contents
  • The life and works of Richard Wagner (1913) : Becce, Froelich, and Messter
  • Paul Fryer
  • Listening for Wagner in Fritz Lang's Die Nibelungen
  • Adeline Mueller
  • Part 2.
  • Wagnerian resonance in film scoring
  • The resonances of Wagnerian opera and nineteenth-century melodrama in the film scores of Max Steiner
  • David Neumeyer
  • Wagner's influence on gender roles in early Hollywood film
  • Eva Rieger
  • Introduction: Why Wagner and cinema? Tolkien was wrong
  • The penumbra of Wagner's Ombra in two science fiction films from 1951: The thing from another world and The day the earth stood still
  • William H. Rosar
  • Part 3.
  • Wagner in Hollywood
  • "Soll ich lauschen?" : love-death in Humoresque
  • Marcia J. Citron
  • Hollywood's German fantasy: Ridley Scott's Gladiator
  • Marc A. Weiner
  • Reading Wagner in Bugs Bunny nips the nips (1944)
  • Neil Lerner
  • Jeongwon Joe
  • Piercing Wagner: The Ring in Golden earrings
  • Scott D. Paulin
  • Part 4.
  • Wagner in German cinema
  • Wagner as leitmotif: the new German cinema and beyond
  • Roger Hillman
  • The power of emotion: Wagner and film
  • Jeremy Tambling
  • Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964)
  • Joy H. Calico
  • Part 1.
  • Part 5.
  • Wagner beyond the soundtrack
  • Nocturnal Wagner: the cultural survival of Tristan und Isolde in Hollywood
  • Elisabeth Bronfen
  • Ludwig's Wagner and Visconti's Ludwig
  • Giorgio Biancorosso
  • The Tristan Project: time in Wagner and Viola
  • Jeongwon Joe
  • "The threshold of the visible world": Wagner, Bill Viola, and Tristan
  • Lawrence Kramer
  • Wagner and the silent film
  • Postlude: Looking for Richard: an archival search for Wagner
  • Warren M. Sherk
  • Epilogue: Some thoughts about Wagner and cinema; opera and politics, style and reception
  • Sander L. Gilman
  • Wagnerian motives : narrative integration and the development of silent film accompaniment, 1908-1913
  • James Buhler
  • Underscoring drama--picturing music
  • Peter Franklin
Control code
ocn313659393
Dimensions
24 cm
Extent
xiii, 487 p.
Isbn
9780253221636
Isbn Type
(pbk. : alk. paper)
Lccn
2009025718
Other physical details
ill.
System control number
(OCoLC)313659393
Label
Wagner & cinema, edited by Jeongwon Joe and Sander L. Gilman ; foreword by Tony Palmer ; interview with Bill Viola
Publication
Bibliography note
Includes bibliographical references, filmography (p. 441-455), and index
Contents
  • The life and works of Richard Wagner (1913) : Becce, Froelich, and Messter
  • Paul Fryer
  • Listening for Wagner in Fritz Lang's Die Nibelungen
  • Adeline Mueller
  • Part 2.
  • Wagnerian resonance in film scoring
  • The resonances of Wagnerian opera and nineteenth-century melodrama in the film scores of Max Steiner
  • David Neumeyer
  • Wagner's influence on gender roles in early Hollywood film
  • Eva Rieger
  • Introduction: Why Wagner and cinema? Tolkien was wrong
  • The penumbra of Wagner's Ombra in two science fiction films from 1951: The thing from another world and The day the earth stood still
  • William H. Rosar
  • Part 3.
  • Wagner in Hollywood
  • "Soll ich lauschen?" : love-death in Humoresque
  • Marcia J. Citron
  • Hollywood's German fantasy: Ridley Scott's Gladiator
  • Marc A. Weiner
  • Reading Wagner in Bugs Bunny nips the nips (1944)
  • Neil Lerner
  • Jeongwon Joe
  • Piercing Wagner: The Ring in Golden earrings
  • Scott D. Paulin
  • Part 4.
  • Wagner in German cinema
  • Wagner as leitmotif: the new German cinema and beyond
  • Roger Hillman
  • The power of emotion: Wagner and film
  • Jeremy Tambling
  • Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964)
  • Joy H. Calico
  • Part 1.
  • Part 5.
  • Wagner beyond the soundtrack
  • Nocturnal Wagner: the cultural survival of Tristan und Isolde in Hollywood
  • Elisabeth Bronfen
  • Ludwig's Wagner and Visconti's Ludwig
  • Giorgio Biancorosso
  • The Tristan Project: time in Wagner and Viola
  • Jeongwon Joe
  • "The threshold of the visible world": Wagner, Bill Viola, and Tristan
  • Lawrence Kramer
  • Wagner and the silent film
  • Postlude: Looking for Richard: an archival search for Wagner
  • Warren M. Sherk
  • Epilogue: Some thoughts about Wagner and cinema; opera and politics, style and reception
  • Sander L. Gilman
  • Wagnerian motives : narrative integration and the development of silent film accompaniment, 1908-1913
  • James Buhler
  • Underscoring drama--picturing music
  • Peter Franklin
Control code
ocn313659393
Dimensions
24 cm
Extent
xiii, 487 p.
Isbn
9780253221636
Isbn Type
(pbk. : alk. paper)
Lccn
2009025718
Other physical details
ill.
System control number
(OCoLC)313659393

Library Locations

    • Wellington LibraryBorrow it
      Wellington- Massey University Library, Block 5, 63 Wallace Street, Wellington, 6021, NZ
      -40.385395 175.617407
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