The Resource Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus
Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus
Resource Information
The item Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Massey University Library, University of New Zealand.This item is available to borrow from 1 library branch.
Resource Information
The item Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Massey University Library, University of New Zealand.
This item is available to borrow from 1 library branch.
- Summary
- Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about musi
- Language
- eng
- Extent
- 1 online resource (xii, 284 pages)
- Contents
-
- Prospects for a musical-aesthetic critique of modern theology
- Pythagoras and Orpheus as premodern theological resources
- Schleiermacher on music as the expression of feeling and mood
- Barth on music as timelessly valid form
- Wittgenstein on music as performance
- Theology as performance: assessment and application
- Isbn
- 9781283193825
- Label
- Theology as performance : music, aesthetics, and God in western thought
- Title
- Theology as performance
- Title remainder
- music, aesthetics, and God in western thought
- Statement of responsibility
- Philip Stoltzfus
- Language
- eng
- Summary
- Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about musi
- http://library.link/vocab/creatorName
- Stoltzfus, Philip Edward
- Dewey number
- 261.5/78
- Illustrations
-
- illustrations
- music
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Music
- Music
- Label
- Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 261-271) and index
- Color
- multicolored
- Contents
- Prospects for a musical-aesthetic critique of modern theology -- Pythagoras and Orpheus as premodern theological resources -- Schleiermacher on music as the expression of feeling and mood -- Barth on music as timelessly valid form -- Wittgenstein on music as performance -- Theology as performance: assessment and application
- Control code
- ocn741691652
- Dimensions
- unknown
- Extent
- 1 online resource (xii, 284 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781283193825
- Level of compression
- unknown
- Other physical details
- illustrations, music
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)741691652
- Label
- Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 261-271) and index
- Color
- multicolored
- Contents
- Prospects for a musical-aesthetic critique of modern theology -- Pythagoras and Orpheus as premodern theological resources -- Schleiermacher on music as the expression of feeling and mood -- Barth on music as timelessly valid form -- Wittgenstein on music as performance -- Theology as performance: assessment and application
- Control code
- ocn741691652
- Dimensions
- unknown
- Extent
- 1 online resource (xii, 284 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781283193825
- Level of compression
- unknown
- Other physical details
- illustrations, music
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)741691652
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.massey.ac.nz/portal/Theology-as-performance--music-aesthetics-and/vhVmzNjAwLs/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.massey.ac.nz/portal/Theology-as-performance--music-aesthetics-and/vhVmzNjAwLs/">Theology as performance : music, aesthetics, and God in western thought, Philip Stoltzfus</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.massey.ac.nz/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.massey.ac.nz/">Massey University Library, University of New Zealand</a></span></span></span></span></div>
