The Resource The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
Resource Information
The item The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Massey University Library, University of New Zealand.This item is available to borrow from 1 library branch.
Resource Information
The item The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Massey University Library, University of New Zealand.
This item is available to borrow from 1 library branch.
- Summary
- In pieces of music set to biblical or liturgical texts, the musical connections of one passage or one movement to one another. In a musical sense, these texts have a meaning and significance that can be and often distinct from the meanings achieved by syntactic relationships. Sometimes the syntactic meanings are lost in the musical repetitions and overlapping entries of many voices; in the case of texts for different movements, syntactic relations often simply do not exist. Consequently, the music does not merely parallel or illustrates the text's theological meaning or guide an affective resp
- Language
- eng
- Extent
- 1 online resource (132 pages)
- Contents
-
- Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time
- Isbn
- 9780773411685
- Label
- The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God
- Title
- The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae
- Title remainder
- how listening to sung theology leads to the contemplation of God
- Statement of responsibility
- David B. Greene ; with a preface by Jonathan N. Badger
- Language
- eng
- Summary
- In pieces of music set to biblical or liturgical texts, the musical connections of one passage or one movement to one another. In a musical sense, these texts have a meaning and significance that can be and often distinct from the meanings achieved by syntactic relationships. Sometimes the syntactic meanings are lost in the musical repetitions and overlapping entries of many voices; in the case of texts for different movements, syntactic relations often simply do not exist. Consequently, the music does not merely parallel or illustrates the text's theological meaning or guide an affective resp
- http://library.link/vocab/creatorName
- Greene, David B
- Dewey number
- 782.22112
- Index
- index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Handel, George Frideric
- Beethoven, Ludwig van
- Verdi, Giuseppe
- Music
- Label
- The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Color
- multicolored
- Contents
- Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time
- Control code
- ocn797917348
- Dimensions
- unknown
- Extent
- 1 online resource (132 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780773411685
- Level of compression
- unknown
- Note
- eBooks on EBSCOhost
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)797917348
- Label
- The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Color
- multicolored
- Contents
- Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time
- Control code
- ocn797917348
- Dimensions
- unknown
- Extent
- 1 online resource (132 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780773411685
- Level of compression
- unknown
- Note
- eBooks on EBSCOhost
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)797917348
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.massey.ac.nz/portal/The-theology-of-Handels-Messiah-Beethovens/_IvMOsdj0uY/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.massey.ac.nz/portal/The-theology-of-Handels-Messiah-Beethovens/_IvMOsdj0uY/">The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.massey.ac.nz/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.massey.ac.nz/">Massey University Library, University of New Zealand</a></span></span></span></span></div>
