Coverart for item
The Resource The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)

The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)

Label
The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God
Title
The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae
Title remainder
how listening to sung theology leads to the contemplation of God
Statement of responsibility
David B. Greene ; with a preface by Jonathan N. Badger
Creator
Subject
Language
eng
Summary
In pieces of music set to biblical or liturgical texts, the musical connections of one passage or one movement to one another. In a musical sense, these texts have a meaning and significance that can be and often distinct from the meanings achieved by syntactic relationships. Sometimes the syntactic meanings are lost in the musical repetitions and overlapping entries of many voices; in the case of texts for different movements, syntactic relations often simply do not exist. Consequently, the music does not merely parallel or illustrates the text's theological meaning or guide an affective resp
http://library.link/vocab/creatorName
Greene, David B
Dewey number
782.22112
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Handel, George Frideric
  • Beethoven, Ludwig van
  • Verdi, Giuseppe
  • Music
Label
The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time
Control code
ocn797917348
Dimensions
unknown
Extent
1 online resource (132 pages)
File format
unknown
Form of item
online
Isbn
9780773411685
Level of compression
unknown
Note
eBooks on EBSCOhost
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)797917348
Label
The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God, David B. Greene ; with a preface by Jonathan N. Badger, (electronic resource)
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
Chapter One: Sacred Music, Theology, and Spirituality; Chapter Two: Hearing Mozart's Mass in C Minor: When Relating to Music is Relating to God; Chapter Three: "Et Resurrexit" from Bach's Mass in B Minor: Meditations on Discontinuous Continuity; Chapter Four: Messiaen, Quartet for the End of Time: New Visions of New Time
Control code
ocn797917348
Dimensions
unknown
Extent
1 online resource (132 pages)
File format
unknown
Form of item
online
Isbn
9780773411685
Level of compression
unknown
Note
eBooks on EBSCOhost
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)797917348

Library Locations

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