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The Resource The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham

The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham

Label
The music and sound of experimental film
Title
The music and sound of experimental film
Statement of responsibility
edited by Holly Rogers and Jeremy Barham
Contributor
Subject
Language
eng
Summary
This book explores the role of music and sound in experimental film from the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine issues relating to the avant-garde, abstraction, animation, found footage, queer film, visual music and VJing
Dewey number
781.5/42
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1963-
http://library.link/vocab/relatedWorkOrContributorName
  • Rogers, Holly
  • Barham, Jeremy
http://library.link/vocab/subjectName
  • Motion picture music
  • Experimental films
Label
The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Cover; The Music and Sound of Experimental Film; Copyright; Dedication; Contents; Preface; Acknowledgements; List of Contributors; Introduction; 1. Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media-Specific Art; 2. A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation; 3. An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949; 4. "bump ... bup ... bup": Aural Innovation in the Films of Norman McLaren
  • 5. Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage6. Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s; 7. Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s; 8. Meaning and Musicality: Sound-Image Relations in the Films of John Smith; 9. Audiovisual Dissonance in Found-Footage Film; 10. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes
  • 11. Sounding Decay in the Digital Age: "Audio-Visions" of Decasia (2002) and Lyrical Nitrate (1991)12. The Sound of Queer Experimental Film; 13. Avant-Gardists and the Lure of Pop Music; 14. The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory; Index
Control code
ocn961457623
Extent
1 online resource (xvi, 320 pages)
Form of item
online
Isbn
9780190469931
Lccn
2016049887
Note
Oxford University Press
Specific material designation
remote
System control number
(OCoLC)961457623
Label
The music and sound of experimental film, edited by Holly Rogers and Jeremy Barham
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Cover; The Music and Sound of Experimental Film; Copyright; Dedication; Contents; Preface; Acknowledgements; List of Contributors; Introduction; 1. Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media-Specific Art; 2. A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation; 3. An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949; 4. "bump ... bup ... bup": Aural Innovation in the Films of Norman McLaren
  • 5. Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage6. Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s; 7. Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s; 8. Meaning and Musicality: Sound-Image Relations in the Films of John Smith; 9. Audiovisual Dissonance in Found-Footage Film; 10. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes
  • 11. Sounding Decay in the Digital Age: "Audio-Visions" of Decasia (2002) and Lyrical Nitrate (1991)12. The Sound of Queer Experimental Film; 13. Avant-Gardists and the Lure of Pop Music; 14. The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory; Index
Control code
ocn961457623
Extent
1 online resource (xvi, 320 pages)
Form of item
online
Isbn
9780190469931
Lccn
2016049887
Note
Oxford University Press
Specific material designation
remote
System control number
(OCoLC)961457623

Library Locations

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      Albany, Auckland, 0632, NZ
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