Coverart for item
The Resource Modernity theory : modern experience, modernist consciousness, reflexive thinking, John Jervis

Modernity theory : modern experience, modernist consciousness, reflexive thinking, John Jervis

Label
Modernity theory : modern experience, modernist consciousness, reflexive thinking
Title
Modernity theory
Title remainder
modern experience, modernist consciousness, reflexive thinking
Statement of responsibility
John Jervis
Creator
Subject
Language
eng
http://library.link/vocab/creatorDate
1946-
http://library.link/vocab/creatorName
Jervis, John
Dewey number
909/.09821
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Kant, Immanuel
  • Benjamin, Walter
  • Civilization, Western
  • Philosophy, Modern
  • Literature, Modern
Label
Modernity theory : modern experience, modernist consciousness, reflexive thinking, John Jervis
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Intro; Contents; Chapter 1 Introduction: Why Modernity Theory?; A Note on Sources and Footnotes; Chapter 2 Modernity and Modernism: Key Themes; Foundations of Modern Experience; The Art of the Self (Modern and Modernist); Between Kant and Romanticism; Fashioning the Modern; Chapter 3 Reflexivity and the Project of Modernity; Reflexivity: Aspects and Contexts; Reflexivity and Paradox; The Modern Project; Transparency; Chapter 4 Experience and Representation; Topographies of Modern Experience (Imagining Depth); Painting Modern Experience (The Hand, the Eye, and Colour); Experience as Allegory
  • Chapter 5 The Mediated WorldMediated Sensation: The Vicarious and the Transgressive; The Medium (From Art to Technology); The Mediated Image and the Mass (From Early Photo to Selfie); Chapter 6 Modernity and Civilization; The Aesthetic Encounter: Sensibility as Feeling and Form; Civilization: Conflicting Models; Civilization: Sublimity and Abjection; Chapter 7 The Nature of It All (Modernist Ontology); Boundaries and Folds; The Universe of Science; Speculative Metaphysical Afterword; Chapter 8 The Meaning of It All (Between Apocalypse and the Banal); Evil: Conflicting Models
  • The Spectacle of the ExtremeTendencies (The Horizon of the Modern); Slightly Optimistic Conclusion; Postscript: Some Key Terms; Judgement; Orientation; Cultural Aesthetics; Mediation; Circuit of Sensation; Spectacle of Sympathy; Haptic-Optic System; Image-Text System; Figuration; Index
Control code
on1080520551
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9781137496768
Level of compression
unknown
Note
SpringerLink
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1080520551
Label
Modernity theory : modern experience, modernist consciousness, reflexive thinking, John Jervis
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Intro; Contents; Chapter 1 Introduction: Why Modernity Theory?; A Note on Sources and Footnotes; Chapter 2 Modernity and Modernism: Key Themes; Foundations of Modern Experience; The Art of the Self (Modern and Modernist); Between Kant and Romanticism; Fashioning the Modern; Chapter 3 Reflexivity and the Project of Modernity; Reflexivity: Aspects and Contexts; Reflexivity and Paradox; The Modern Project; Transparency; Chapter 4 Experience and Representation; Topographies of Modern Experience (Imagining Depth); Painting Modern Experience (The Hand, the Eye, and Colour); Experience as Allegory
  • Chapter 5 The Mediated WorldMediated Sensation: The Vicarious and the Transgressive; The Medium (From Art to Technology); The Mediated Image and the Mass (From Early Photo to Selfie); Chapter 6 Modernity and Civilization; The Aesthetic Encounter: Sensibility as Feeling and Form; Civilization: Conflicting Models; Civilization: Sublimity and Abjection; Chapter 7 The Nature of It All (Modernist Ontology); Boundaries and Folds; The Universe of Science; Speculative Metaphysical Afterword; Chapter 8 The Meaning of It All (Between Apocalypse and the Banal); Evil: Conflicting Models
  • The Spectacle of the ExtremeTendencies (The Horizon of the Modern); Slightly Optimistic Conclusion; Postscript: Some Key Terms; Judgement; Orientation; Cultural Aesthetics; Mediation; Circuit of Sensation; Spectacle of Sympathy; Haptic-Optic System; Image-Text System; Figuration; Index
Control code
on1080520551
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9781137496768
Level of compression
unknown
Note
SpringerLink
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1080520551

Library Locations

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