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The Resource Melancholic modalities : affect, Islam, and Turkish classical musicians, by Denise Gill

Melancholic modalities : affect, Islam, and Turkish classical musicians, by Denise Gill

Label
Melancholic modalities : affect, Islam, and Turkish classical musicians
Title
Melancholic modalities
Title remainder
affect, Islam, and Turkish classical musicians
Statement of responsibility
by Denise Gill
Creator
Subject
Language
eng
Summary
Denise Gill analyzes how the melancholies intentionally cultivated by Turkish classical musicians, typically dismissed as the remnants of Ottoman nostalgia, emerge as reparative, pleasurable, and spiritually redeeming. Melancholic Modalities intervenes in debates about music and affect, and offers new, innovative methodologies of rhizomatic analysis and bi-aurality for researchers
http://library.link/vocab/creatorName
Gill, Denise,
Dewey number
781.6909561
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Music
  • Melancholy in music
Label
Melancholic modalities : affect, Islam, and Turkish classical musicians, by Denise Gill
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Cover; Melancholic Modalities; Copyright; Dedication; Contents; List of Figures; List of Examples; Preface; Conventions; Acknowledgments; Introduction; Melancholic Modalities; Rhizome One: Turkish Classical Music; Rhizome Two: Repertoires of Melancholies; Rhizome Three: The Practice of Affect; Rhizome Four: The Islamic Roots of Musicians' Melancholic Routes; Following the Rhizomes of Melancholic Modalities; 1. The Melancholic State of Turkish Classical Music; Reforms as Roots; Cultural Policies and the Politics of Naming; Ottoman Music and the Turkish Nation-​State
  • "Shaping Ears and Hearts": Emergent Media PracticesInstitutional Changes for Practices of Musical Transmission; Neoliberalism, Islamic Movements, and the Privileges of Privatization; Death of a Genre; 2. Separation, the Sound of the Rhizomatic Ney, and Sacred Embodiment; Sufism as Separation; Hû as Sound; Hû as Instrument Technique; Hû as Sacred Embodiment; Hû as Istanbul; From Life to Death and Sound to Silence; 3. Melancholic Genealogies: Rhizomatic Listening and Bi-​Aurality in Practice; Learning Melancholy, Learning Love; Understanding Meşk; Learning from a Master; Learning with Notation
  • Becoming Your LineageBi-​Aurality and the Problem of Assumed Listening Geographies; Genealogy, Orientalism, and Orientations; Listening Like a Ney; Case Studies: Listening Rhizomatically to Meşk Lineages; Learning Music as the Practice of Melancholy; 4. Boundaries of Embodiment in Sounded Melancholy; Rendering Melancholy Musical; Embodying Gender, Melancholy, and the Boundaries Between; The Body's Boundary: Melancholic Musicking and Tears; SEMA AND SAMA'; Living with the Boundary; 5. Melancholic Modes, Healing, and Reparation; Melancholy as Illness; Musical Modes as Music Therapy
  • Melancholy and Health between "East" and "West"Iconic Melancholic Musicians: Neyzen Tevfik; Melancholic Musicking: "There is No Medicine"; Musicking as Food for the (Melancholic) Soul; Suffering as Remedy: What to Take Away from Melancholic Musicking; Conclusion; Theorizing Affect in Musics and Beyond; Bringing the Rhizomes of Turkish Classical Musicians to Bear beyond the Academy; Notes; Bibliography; Discography; Index
Control code
ocn984516246
Dimensions
unknown
Extent
1 online resource (xxvi, 256 pages)
File format
unknown
Form of item
online
Isbn
9780190495039
Level of compression
unknown
Note
Oxford University Press
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)984516246
Label
Melancholic modalities : affect, Islam, and Turkish classical musicians, by Denise Gill
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • Cover; Melancholic Modalities; Copyright; Dedication; Contents; List of Figures; List of Examples; Preface; Conventions; Acknowledgments; Introduction; Melancholic Modalities; Rhizome One: Turkish Classical Music; Rhizome Two: Repertoires of Melancholies; Rhizome Three: The Practice of Affect; Rhizome Four: The Islamic Roots of Musicians' Melancholic Routes; Following the Rhizomes of Melancholic Modalities; 1. The Melancholic State of Turkish Classical Music; Reforms as Roots; Cultural Policies and the Politics of Naming; Ottoman Music and the Turkish Nation-​State
  • "Shaping Ears and Hearts": Emergent Media PracticesInstitutional Changes for Practices of Musical Transmission; Neoliberalism, Islamic Movements, and the Privileges of Privatization; Death of a Genre; 2. Separation, the Sound of the Rhizomatic Ney, and Sacred Embodiment; Sufism as Separation; Hû as Sound; Hû as Instrument Technique; Hû as Sacred Embodiment; Hû as Istanbul; From Life to Death and Sound to Silence; 3. Melancholic Genealogies: Rhizomatic Listening and Bi-​Aurality in Practice; Learning Melancholy, Learning Love; Understanding Meşk; Learning from a Master; Learning with Notation
  • Becoming Your LineageBi-​Aurality and the Problem of Assumed Listening Geographies; Genealogy, Orientalism, and Orientations; Listening Like a Ney; Case Studies: Listening Rhizomatically to Meşk Lineages; Learning Music as the Practice of Melancholy; 4. Boundaries of Embodiment in Sounded Melancholy; Rendering Melancholy Musical; Embodying Gender, Melancholy, and the Boundaries Between; The Body's Boundary: Melancholic Musicking and Tears; SEMA AND SAMA'; Living with the Boundary; 5. Melancholic Modes, Healing, and Reparation; Melancholy as Illness; Musical Modes as Music Therapy
  • Melancholy and Health between "East" and "West"Iconic Melancholic Musicians: Neyzen Tevfik; Melancholic Musicking: "There is No Medicine"; Musicking as Food for the (Melancholic) Soul; Suffering as Remedy: What to Take Away from Melancholic Musicking; Conclusion; Theorizing Affect in Musics and Beyond; Bringing the Rhizomes of Turkish Classical Musicians to Bear beyond the Academy; Notes; Bibliography; Discography; Index
Control code
ocn984516246
Dimensions
unknown
Extent
1 online resource (xxvi, 256 pages)
File format
unknown
Form of item
online
Isbn
9780190495039
Level of compression
unknown
Note
Oxford University Press
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)984516246

Library Locations

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