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The Resource Forms of association : making publics in early modern Europe, edited by Paul Yachnin and Marlene Eberhart

Forms of association : making publics in early modern Europe, edited by Paul Yachnin and Marlene Eberhart

Label
Forms of association : making publics in early modern Europe
Title
Forms of association
Title remainder
making publics in early modern Europe
Statement of responsibility
edited by Paul Yachnin and Marlene Eberhart
Contributor
Subject
Language
eng
Member of
Dewey number
809/.93355
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
  • 1964-
  • 1953-
http://library.link/vocab/relatedWorkOrContributorName
  • Eberhart, Marlene
  • Yachnin, Paul Edward
Series statement
Massachusetts Studies in Early Modern Culture
http://library.link/vocab/subjectName
  • Civil society
  • Civil society
  • Communities
  • Literature and society
  • European literature
  • European literature
  • Europe
  • Europe
Label
Forms of association : making publics in early modern Europe, edited by Paul Yachnin and Marlene Eberhart
Instantiates
Publication
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Contents
  • Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction; Part I: Writing Publics (Publics and Nation); 1. States, Nations, and Publics: The Politics of Language Reform in Renaissance England; 2. Translating the Law: Sir Edward Coke and the Formation of a Juristic Public; 3. Apocalyptics and Apologetics: Richard Helgerson on Elizabethan England's Religious Identity and the Formation of the Public Sphere; Part II: Forming Social Identities and Publics; 4. Perverse Delights: Cross Channel Trash Talk and Identity Publics; 5. Making Public the Private
  • 6. Public and Private Intercourse in Dutch Genre Scenes: Soldiers and Enigmatic Women / Painters and Enigmatic Paintings7. Sonnets from Carthage, Ballads from Prison: Entertainment and Public Making in Early Modern Spain; Part III: Networks and Publics; 8. Forms of Nationhood and Forms of Publics: Geography and Its Publics in Early Modern England; 9. "The Land Speaks": John Shrimpton's Antiquities of Verulam and St. Albans and the Making of Verulamium; 10. Collectors, Consumers, and the Making of a Seventeenth-Century English Ballad Public: From Networks to Spheres
  • 11. Forms of Internationality: The Album Amicorum and the Popularity of John Owen (1564-1622)Part IV: Theatrical Publicity; 12. The Voice of Caesar's Wounds: The Politics of Martyrdom in Shakespeare's Julius Caesar; 13. Shakespeare's Pains to Please; 14. The Political Fortunes of Robin Hood on the Early Modern Stage; Afterword: Richard Helgerson and Making Publics; About the Contributors; Index; Back Cover
Control code
ocn919384611
Extent
1 online resource
Form of item
online
Isbn
9781613763650
Note
eBooks on EBSCOhost
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)919384611
Label
Forms of association : making publics in early modern Europe, edited by Paul Yachnin and Marlene Eberhart
Publication
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Contents
  • Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction; Part I: Writing Publics (Publics and Nation); 1. States, Nations, and Publics: The Politics of Language Reform in Renaissance England; 2. Translating the Law: Sir Edward Coke and the Formation of a Juristic Public; 3. Apocalyptics and Apologetics: Richard Helgerson on Elizabethan England's Religious Identity and the Formation of the Public Sphere; Part II: Forming Social Identities and Publics; 4. Perverse Delights: Cross Channel Trash Talk and Identity Publics; 5. Making Public the Private
  • 6. Public and Private Intercourse in Dutch Genre Scenes: Soldiers and Enigmatic Women / Painters and Enigmatic Paintings7. Sonnets from Carthage, Ballads from Prison: Entertainment and Public Making in Early Modern Spain; Part III: Networks and Publics; 8. Forms of Nationhood and Forms of Publics: Geography and Its Publics in Early Modern England; 9. "The Land Speaks": John Shrimpton's Antiquities of Verulam and St. Albans and the Making of Verulamium; 10. Collectors, Consumers, and the Making of a Seventeenth-Century English Ballad Public: From Networks to Spheres
  • 11. Forms of Internationality: The Album Amicorum and the Popularity of John Owen (1564-1622)Part IV: Theatrical Publicity; 12. The Voice of Caesar's Wounds: The Politics of Martyrdom in Shakespeare's Julius Caesar; 13. Shakespeare's Pains to Please; 14. The Political Fortunes of Robin Hood on the Early Modern Stage; Afterword: Richard Helgerson and Making Publics; About the Contributors; Index; Back Cover
Control code
ocn919384611
Extent
1 online resource
Form of item
online
Isbn
9781613763650
Note
eBooks on EBSCOhost
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)919384611

Library Locations

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      Albany, Auckland, 0632, NZ
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