Coverart for item
The Resource Distributed creativity : collaboration and improvisation in contemporary music, edited by Eric F. Clarke, Mark Doffman

Distributed creativity : collaboration and improvisation in contemporary music, edited by Eric F. Clarke, Mark Doffman

Label
Distributed creativity : collaboration and improvisation in contemporary music
Title
Distributed creativity
Title remainder
collaboration and improvisation in contemporary music
Statement of responsibility
edited by Eric F. Clarke, Mark Doffman
Contributor
Subject
Language
eng
Summary
Creative practice in music takes place in a distributed and interactive manner embracing the activities of composers, performers and improvisers. The thirteen chapters and twelve shorter Interventions of Distributed Creativity explore the ways in which collaboration and improvisation enable and constrain creative processes in contemporary music
Member of
Dewey number
781.3
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Clarke, Eric F.,
  • Doffman, Mark,
Series statement
Studies in musical performance as creative practice
Series volume
volume 2
http://library.link/vocab/subjectName
  • Composition (Music)
  • Improvisation (Music)
  • Music
  • Music
Label
Distributed creativity : collaboration and improvisation in contemporary music, edited by Eric F. Clarke, Mark Doffman
Instantiates
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • ""Cover""; ""Distributed Creativity""; ""Copyright""; ""Contents""; ""List of contributors""; ""List of examples""; ""List of figures""; ""List of tables""; ""List of website audio examples""; ""List of website image examples""; ""List of website video examples""; ""About the Companion Website""; "" Introduction and overview""; ""Part 1 Frameworks""; ""1 Composerâ#x80;#x93;â#x80;#x8B;performer collaborations in the long twentieth century""; ""2 The labour that dare not speak its name: musical creativity, labour process and the materials of music""
  • ""3 Distributed cognition, ecological theory and group improvisation""""4 Domesticating gesture: the collaborative creative process of Florence Baschetâ#x80;#x99;s StreicherKreis for â#x80;#x98;augmentedâ#x80;#x99; string quartet (2006â#x80;#x93;â#x80;#x8B;08)""; ""Part 2 Collaborations""; "" Interventionâ#x80;#x82;Irvine Arditti: â#x80;#x98;These four must be stoppedâ#x80;#x99;""; ""5 Cross-â#x80;#x8B;cultural collaborations with the Kronos Quartet""; "" Interventionâ#x80;#x82;Sarah Nicolls: Collaboration: making it work""; ""6 Fluid practices, solid roles?: The evolution of Forlorn Hope""; "" Interventionâ#x80;#x82;James Saunders and Simon Limbrick: surfaces""
  • ""7 Composition changing instruments changing composition"""" Interventionâ#x80;#x82;Martyn Harry: My Mother Told Me Not To Stare: composition as a collaborative process""; "" Interventionâ#x80;#x82;Jeremy West: The composer in the room:Â Jeremy West on Martyn Harry with His Majestyâ#x80;#x99;s Sagbutts and Cornetts""; ""8 Negotiations: sound and speech in the making of a studio recording""; "" Interventionâ#x80;#x82;Emily Payne: Recording Paraphrase:Â a â#x80;#x98;social occasionâ#x80;#x99;?""; ""9 Contemporary Music in Action: performerâ#x80;#x93;â#x80;#x8B;composer collaboration within the conservatoire""
  • "" Interventionâ#x80;#x82;John Croft: On working alone""""Part 3 Improvisation""; "" Interventionâ#x80;#x82;Liza Lim: Knots and other forms of entanglement""; ""10 (Re-â#x80;#x8B;)imagining improvisation: discursive positions in Iranian music from classical to jazz""; "" Interventionâ#x80;#x82;Jeremy Thurlow: On the conundrum of composing an improvisation""; ""11 Improvisation as composition: the recorded organ improvisations of Vierne and Tournemire""; "" Interventionâ#x80;#x82;David Maw with Thierry Escaich: Improvisation and composition in the French organ tradition: an interview with Thierry Escaich""
  • ""12 Learning to improvise, improvising to learn: a qualitative study of learning processes in improvising musicians"""" Interventionâ#x80;#x82;Loré Lixenberg: Song""; ""13 The ensemble as plural subject: jazz improvisation, collective intention and group agency""; "" Interventionâ#x80;#x82;Neil Heyde, Christopher Redgate, Roger Redgate and Matthew Wright: What is it like to be an improviser?""; ""Notes""
Control code
on1009623640
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9780199355945
Level of compression
unknown
Note
Oxford University Press
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1009623640
Label
Distributed creativity : collaboration and improvisation in contemporary music, edited by Eric F. Clarke, Mark Doffman
Publication
Copyright
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Color
multicolored
Contents
  • ""Cover""; ""Distributed Creativity""; ""Copyright""; ""Contents""; ""List of contributors""; ""List of examples""; ""List of figures""; ""List of tables""; ""List of website audio examples""; ""List of website image examples""; ""List of website video examples""; ""About the Companion Website""; "" Introduction and overview""; ""Part 1 Frameworks""; ""1 Composerâ#x80;#x93;â#x80;#x8B;performer collaborations in the long twentieth century""; ""2 The labour that dare not speak its name: musical creativity, labour process and the materials of music""
  • ""3 Distributed cognition, ecological theory and group improvisation""""4 Domesticating gesture: the collaborative creative process of Florence Baschetâ#x80;#x99;s StreicherKreis for â#x80;#x98;augmentedâ#x80;#x99; string quartet (2006â#x80;#x93;â#x80;#x8B;08)""; ""Part 2 Collaborations""; "" Interventionâ#x80;#x82;Irvine Arditti: â#x80;#x98;These four must be stoppedâ#x80;#x99;""; ""5 Cross-â#x80;#x8B;cultural collaborations with the Kronos Quartet""; "" Interventionâ#x80;#x82;Sarah Nicolls: Collaboration: making it work""; ""6 Fluid practices, solid roles?: The evolution of Forlorn Hope""; "" Interventionâ#x80;#x82;James Saunders and Simon Limbrick: surfaces""
  • ""7 Composition changing instruments changing composition"""" Interventionâ#x80;#x82;Martyn Harry: My Mother Told Me Not To Stare: composition as a collaborative process""; "" Interventionâ#x80;#x82;Jeremy West: The composer in the room:Â Jeremy West on Martyn Harry with His Majestyâ#x80;#x99;s Sagbutts and Cornetts""; ""8 Negotiations: sound and speech in the making of a studio recording""; "" Interventionâ#x80;#x82;Emily Payne: Recording Paraphrase:Â a â#x80;#x98;social occasionâ#x80;#x99;?""; ""9 Contemporary Music in Action: performerâ#x80;#x93;â#x80;#x8B;composer collaboration within the conservatoire""
  • "" Interventionâ#x80;#x82;John Croft: On working alone""""Part 3 Improvisation""; "" Interventionâ#x80;#x82;Liza Lim: Knots and other forms of entanglement""; ""10 (Re-â#x80;#x8B;)imagining improvisation: discursive positions in Iranian music from classical to jazz""; "" Interventionâ#x80;#x82;Jeremy Thurlow: On the conundrum of composing an improvisation""; ""11 Improvisation as composition: the recorded organ improvisations of Vierne and Tournemire""; "" Interventionâ#x80;#x82;David Maw with Thierry Escaich: Improvisation and composition in the French organ tradition: an interview with Thierry Escaich""
  • ""12 Learning to improvise, improvising to learn: a qualitative study of learning processes in improvising musicians"""" Interventionâ#x80;#x82;Loré Lixenberg: Song""; ""13 The ensemble as plural subject: jazz improvisation, collective intention and group agency""; "" Interventionâ#x80;#x82;Neil Heyde, Christopher Redgate, Roger Redgate and Matthew Wright: What is it like to be an improviser?""; ""Notes""
Control code
on1009623640
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9780199355945
Level of compression
unknown
Note
Oxford University Press
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)1009623640

Library Locations

    • InternetBorrow it
      Albany, Auckland, 0632, NZ
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