Coverart for item
The Resource Contemporary African American theater : Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller, Nilgun Anadolu-Okur

Contemporary African American theater : Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller, Nilgun Anadolu-Okur

Label
Contemporary African American theater : Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller
Title
Contemporary African American theater
Title remainder
Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller
Statement of responsibility
Nilgun Anadolu-Okur
Creator
Subject
Language
eng
Member of
http://library.link/vocab/creatorDate
1956-
http://library.link/vocab/creatorName
Anadolu-Okur, Nilgun
Dewey number
812/.5409896073
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Studies in African American history and culture
http://library.link/vocab/subjectName
  • Neal, Larry
  • Baraka, Amiri
  • Fuller, Charles
  • American drama
  • American drama
  • African Americans
  • American drama
  • African Americans in literature
Label
Contemporary African American theater : Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller, Nilgun Anadolu-Okur
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 179-185) and index
Color
multicolored
Contents
  • The resistant spirit
  • Black writer's mission
  • The glorious monster in the bell of the horn
  • Towards an Afrocentric methodology
  • Chapter 3.
  • Amiri Baraka.
  • Transformation
  • Amiri Baraka and the African American theater
  • A black mass
  • Dutchman
  • Chapter 1.
  • The slave
  • Chapter 4.
  • Charles Fuller.
  • Zooman and the sign
  • A soldier's play
  • The critical tradition in drama.
  • The black artist and black arts/black theater movements
  • Nommo: transformative power of the word
  • Chapter 2.
  • Larry Neal.
  • The winter of despair/the spring of hope
  • The man in the leather cap
Control code
ocn825767648
Dimensions
unknown
Extent
1 online resource (xxxv, 199 pages)
File format
unknown
Form of item
online
Isbn
9781136614248
Level of compression
unknown
Note
Taylor & Francis
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)825767648
Label
Contemporary African American theater : Afrocentricity in the works of Larry Neal, Amiri Baraka, and Charles Fuller, Nilgun Anadolu-Okur
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (pages 179-185) and index
Color
multicolored
Contents
  • The resistant spirit
  • Black writer's mission
  • The glorious monster in the bell of the horn
  • Towards an Afrocentric methodology
  • Chapter 3.
  • Amiri Baraka.
  • Transformation
  • Amiri Baraka and the African American theater
  • A black mass
  • Dutchman
  • Chapter 1.
  • The slave
  • Chapter 4.
  • Charles Fuller.
  • Zooman and the sign
  • A soldier's play
  • The critical tradition in drama.
  • The black artist and black arts/black theater movements
  • Nommo: transformative power of the word
  • Chapter 2.
  • Larry Neal.
  • The winter of despair/the spring of hope
  • The man in the leather cap
Control code
ocn825767648
Dimensions
unknown
Extent
1 online resource (xxxv, 199 pages)
File format
unknown
Form of item
online
Isbn
9781136614248
Level of compression
unknown
Note
Taylor & Francis
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)825767648

Library Locations

    • InternetBorrow it
      Albany, Auckland, 0632, NZ
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