Coverart for item
The Resource Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson, (electronic resource)

Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson, (electronic resource)

Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance
Title
Bulldaggers, pansies, and chocolate babies
Title remainder
performance, race, and sexuality in the Harlem Renaissance
Statement of responsibility
James F. Wilson
Creator
Subject
Language
eng
Summary
The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages
Member of
http://library.link/vocab/creatorName
Wilson, James F
Dewey number
812/.5209896073
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Sex in the theater
  • Race in literature
  • African Americans in literature
  • Harlem Renaissance
  • Harlem (New York, N.Y.)
  • African Americans
  • Theater
  • African Americans in the performing arts
  • American drama
  • American drama
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson, (electronic resource)
Instantiates
Publication
Note
OldControl:muse9780472026968
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
Control code
ocn794700528
Extent
1 online resource (ix, 260 pages :)
Form of item
online
Isbn
9780472026968
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)794700528
Label
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance, James F. Wilson, (electronic resource)
Publication
Note
OldControl:muse9780472026968
Antecedent source
not applicable
Bibliography note
Includes bibliographical references and index
Contents
Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion, " and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
Control code
ocn794700528
Extent
1 online resource (ix, 260 pages :)
Form of item
online
Isbn
9780472026968
Other physical details
illustrations
Quality assurance targets
not applicable
Reformatting quality
not applicable
Specific material designation
remote
System control number
(OCoLC)794700528

Library Locations

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